Thursday, November 26, 2009

Jail


Cast:
Neil Nitin Mukesh as Parag Dixit
Mugdha Godse as Maansi
Manoj Bajpai as Nawaab
Arya Babbar as Kabir Mallik
Chetan Pandit
Rahul Singh as Abdul Ghani
Sayali Bhagat
Manish Mehta as Joe D’souza

Director: Madhur Bhandarkar
Music Director:
Shamir Tandon, Sharib Shabri, Toshi Shabri
Lyricst:
Sandeep Nath, Kumaar, Ajay Garg, A.M. Turaz
Singers :
Toshi Shabri, Sharib Shabri, Sonu Kakkar, Lata Mangeshkar & Neil Nitin Mukesh


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Synopsis


Jail movie is based on the character Parag Dixit who is living a dream life with a great job and his loving girlfriend Maansi! However things take an ugly turn when after a series of unfortunate events the suddenly wakes up in jail; handcuffed and randomly beaten up by the cops.

Parag is perplexed and in a place far from his utopian life. He tries hard to face away from the ugly truth and wish it's all a bad dream but soon succumbs to the prison anarchy. The only salvation he finds is in Nawab, a convict and a warder who believes that Parag is innocent.

Soon, Parag discovers the inner mechanism and the science responsible for the wretched status inside the prison and hordes of broken hearts and shattered souls which managed to find comfort amidst the four prison walls. He is left with a choice, to either live a life that controlled and exploited or fight against the system!

Wednesday, October 7, 2009

Wake Up Sid!


Wake Up Sid!

Cast:
Ranbir Kapoor, Konkona Sen Sharma, Supriya Pathak, Anupam Kher, Ranveer Shorey
Music: Shankar Ehsaan Loy
Director: Ayan Mukherji
Producer: Karan Johar

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Reviews
1. Bollywood Hungama By: Taran Adarsh,

Recall those years when partying hard was the only agenda on your list. Recall those years when staying awake at nights, chatting away with friends became a habit. Recall those years when bunking college and sneaking into movie halls was more exciting than books. Recall those years when you were completely clueless and aimless about the vocation you wanted to pursue once you graduated… That indecisive phase when you were hesitant to take that first big step in life can never be erased from your memory.

Buzz up!Wake Up Sid, directed by debutante Ayan Mukerji, is like revisiting those years that lay at some remote corner of your mind, after you moved on in life.
Actually, Wake Up Sid is a slice of life film. It's not merely real in concept, but has also been told most realistically, so much so that you can't help but draw parallels with your life or with someone you know. But what really makes Wake Up Sid most believable is Ranbir Kapoor, who's mastered the craft at such a young age.

Verdict? Wake Up Sid mirrors those years with flourish. This one's a simple story that strikes a chord instantly. Strongly recommended!

Wake Up Sid tells the story of Siddharth aka Sid (Ranbir Kapoor), a lazy, unmotivated slacker from Mumbai whose life undergoes a series of changes after taking his final year college exams. Sid's world is breezy, carefree and without any true responsibilities. read full review...

2. Buzz18 By Anand Vaishnav .

This one has no middle ground. You will either love Wake Up Sid or just hate it. A section of the viewers are likely to complain about the lack of a coherent plot and its leisurely pace. But on the flip side, that's exactly why Wake Up Sid works. Director Ayan Mukerji hasn't gone in for a lavish, exaggerated debut. Like Love Aaj Kal and Luck By Chance, restrained and subtle portrayal of emotions are its high point.

Sid Mehra (Ranbir Kapoor) is not Aamir Khan of Dil Chahta Hai or Hrithik Roshan of Lakshya. They may have been rich and lazy. But both were essentially kind hearted, chilled-out guys.

Sid on the other hand has been depicted as an extremely arrogant and rude youngster. He shares an uncomfortable relationship with his parents. And while he is proud of his father's bank balance, Sid is equally embarrassed about working in his family's bathroom fittings business. It's elements like these, which distinguish the film from a regular urban comedy. In fact Wake Up Sid does not go in for an out-and-out humourous take on Ranbir's character. Neither does it give long, melodramatic sermons. read full review...

3. Rediff

Coming of age is never an instant experience. It takes time, a sweet amount at that, before realisation hits. As if on cue, Wake Up Sid [ Images ] follows the tempo of its eponymous hero.

There's not much of a story to tell. It could be related in a five-minute music video -- about a boy who takes everything; family, education, comforts for granted and a slightly older, independent girl. What happens when the twain share the same roof?

And so the first quarter of writer/director Ayan Mukerji's fresh, romantic and feel-good caper about a boy-in-limbo's metamorphosis into a man-in-charge is leisurely paced, as if unapologetically echoing Sid's laidback temperament, an affable yet clueless college lad who snaps at his folks, doodles on his accounts text book to party hard at Ruby Tuesday, gaming arcades, shopping malls and discotheques with his two best friends a plump Betty-types (an instantly likeable Shikha Talsania) and a bearded sensitive Joe (Namit Das, half-amusing), driving a sleek Honda CRV, with an exceptionally trendy wardrobe of cartoon-themed tees (Joker, Dastardly, Beavis & Butthead, Ghostbusters, Tom & Jerry, Snoopy to name a few), cute 'n' colourful boxers and a room-filled with all sorts of fanboy toys, gadgets and gizmos.

Phew, right? All these cool props to emphasise on Sid's affluent, metropolitan, spoilt character are in excess, in fact to the point of distraction. Even so, most of the aforesaid is swiftly established in a lilting Shankar-Ehsaan-Loy number, Kya karoon.

Immediately after, the momentum tires down into scenes with either one too many ungainly pauses or dialogues (by Niranjan Iyengar) that tend to ramble on. Like Sid's tribute to Mumbai [ Images ] is characteristically a Mumbaikar showing off the awesomeness of his city to a visitor to the extent the other feels sorry he/she hails from anywhere else. But the verbosity with which he is asked to convey Mumbai's magical magnetism, monsoon madness and insomniac charm does not appeal. What does is him quoting Dil Chahta Hai [ Images ]'s legendary punch-line, 'Be a man'. read full review...

4.NDTV by Anupama Chopra, Consulting Editor, Films,

Wake Up Sid is the coming-of-age story of a slacker named Sid, played by Ranbir Kapoor. In a wonderfully done title sequence, debutant director Ayan Mukherji shows us Sid struggling with accounting the night before his final exam. He’s had four cups of coffee and stays up till 3 am but he doesn’t get past the first question.

Unfortunately the film doesn’t maintain this crackling momentum and becomes a patchy, predictable story held together by the sheer prowess of Ranbir. Ayan, working from his own story and screenplay, skillfully creates Sid’s state of arrested development.

This is the kind of collegiate who sleeps in Sponge Bob sheets, doesn’t last one week in his father’s bathroom furnishing business, which he describes as full-on pakao, and has no ambition or plans for the future apart from getting drunk. Sid meets Aeysha, played by Konkona Sen Sharma, a slightly older, more mature and focused girl, who moves to Mumbai from Kolkatta to create an independent life for herself.

The two, polar opposites, become friends though she’s quick to explain that he is not her type. She is looking for a man, not a boy. Eventually, Aeysha helps Sid grow up. He discovers that life is a little more complicated than the comic books he reads. Wake Up Sid has honesty and freshness. Ayan creates some genuinely tender and moving moments.

There is a lovely little scene in which Sid makes an impromptu cake for Aeysha’s birthday. And Sid’s confrontation with his parents packs a wallop. However, Ayan isn’t as successful at stringing together the moments.

The pacing in the first half is very slow. Towards interval, the film gathers an emotional momentum but afterward it becomes slack again. The bigger problem is that the crisis of the characters never feels sufficiently awful or urgent. read full review...

5. ApunKaChoice by N K Deoshi

Sid is a grown-up kid, not a “man”, as he is often told by his good friend Aisha. Between the kid and the man lies the struggle to find one’s identity, a struggle to figure out what is it that one wants to do in life. When college days are over, it’s time to think beyond i-pods, parties, get-togethers and to chalk out a career. “But why?” Sid would scowl. He can, because he’s got a rich dad who even tries to lure him into his business with the promise of a latest Porsche as a gift. And the next thing you see is Sid sprawled on a chair in his dad’s office, munching on a pizza and yapping on his cell. A grown-up kid not willing to wake up to the altered reality around him.

‘Wake Up Sid’ is about a coming of age we all go through. It’s a film that instantly strikes a chord because it’s full of snapshots from our own lives.

When Sid (Ranbir Kapoor) flunks his college exam (not that I did) he finds himself in a tight spot. Tired of being taunted by his parents, he leaves his home and moves in with his best buddy Aisha, a Bengali who’s come to Mumbai to be “independent”. There, living with Aisha (Konkona Sen Sharma), Sid is confronted by his harsh reality. He can’t cook for his life. He doesn’t have a job. His credit card expires. And on top of it all, he finds that he’s carried the disorder of his own life into Aisha’s. It’s time to wake up.

A simple story that touches your heart without overwhelming it with too much drama or emotions, ‘Wake Up Sid’ is the face of new-age Bollywood cinema that has already given us gems like Dil Chahta Hai and Rock On. Debutant director Ayan Mukherjee deserves a solid pat on his back for putting together a gripping and relatable film about a confused youth’s coming of age. The juvenile quirks and emotional dilemmas of the eponymous hero are depicted with subtlety that’s scarce in Bollywood.

Monday, September 28, 2009

WANTED


WANTED

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DIL BOLE HADIPPA


DIL BOLE HADIPPA
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Thursday, September 17, 2009

Aagey Se Right


Aagey Se Right

Cast:
Shreyas Talpade, Kay Kay Menon, Shehnaz Treasurywala, Bharti Achrekar, Vijay Maury, Mahi Gill, Shiv Pandit, Shruti Seth. Rakesh Bedi
Director: Indrajit Nattoji

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Reviews
1. ApunKaChoice By Nikhil Kumar
Since when did young kids begin talking like the wise old grandpas? Well, the child in Vaada Raha... I Promise wisecracks with such insight that might leave the lungi-clad pseudo gurus on bhakti channels scampering for cover.
Jokes apart, ‘Vaada Raha’ is about hope, hope that a young kid gives to a man who’s lost the will to live. Dr. Duke Chawla (Bobby Deol) lives an ideal life. He’s got a beautiful girlfriend (Kangana Ranaut); he’s been honoured for his unique research on cancer; he’s got a loyal set of friends and other things (including a dog) that make his life perfect. But one accident turns his life topsy-turvy.
Duke is paralyzed and his girlfriend dumps him the first thing. Devastated and having lost the desire to live, the hospitalized Duke refuses to eat or take his medicines. And then, a kid (Dwij Yadav) enters his life like a little angel. At first the sulky and brooding Duke spurns the kid’s advances. Slowly as the paralyzed doc and the kid become friends, a miracle
read full review...

2. CNN IBN
By Rajeev Masand
Vaada Raha, directed by Samir Karnik is a cheesy, emotionally manipulative, sob-saga that doesn't even deserve a straight-to-television release.

Bobby Deol plays genius surgeon Duke Chawla, who becomes paralysed neck down in a road accident, and is subsequently dumped by his fiancée (played by Kangana Ranaut), for a reason so bizarre, you have to see it to believe it. Languishing in a hospital, angry and overcome with despair, he at first rejects the overtures of friendly kid Roshan (played by Dwij Yadav), the resident smart-alec in the place. The little tyke, however, wins our hero's affections and motivates him to recover speedily, even as the boy succumbs to his own fatal condition eventually, which he's always kept hidden from Duke.

Sickeningly sentimental, Vaada Raha is full of logical loopholes and is directed with a loose hand by Karnik, who gives us some of the most ridiculous scenes you can think of, including one in which Duke tries to end his life by chewing his IV tubes, and another one in which he supervises a heart surgery from his hospital bed.

The film is packed with silly stereotypes like faithful dog who won't eat till his master does, cheery hospital staff straight out of a Sooraj Barjatya film, and happy patients who don't seem to ever want to leave the hospital at all.
read full review...

3. India.com
Vaada Raha... I Promise' has certainly come into being because someone owed someone else a big favor, since even the lousiest of film personalities would have thrown the script into the trash can.

It is quite evident that stars Bobby Deol and Kangana Ranaut did not read the script before signing on this movie. And it looks like the producers were deliberately rubbing the salt in by naming the film 'Vaada Raha... I Promise'. Director Samir Karnik doesn't learn from his mistakes after the debacles of 'Kyun...! Ho Gaya Na', 'Nanhe Jaisalmer: A Dream Come True ' and last year's 'Heroes'.

Coming to the story, Bobby Deol plays Duke Chawla, a successful Doctor who is to be hitched to Nalini (Kangana Ranaut). Right before they get married, Duke meets with an accident and is left paralysed from the neck down. And just when he thinks Nalini's love and affection will nurse him back to health, the lady drops him like a hot plate, leaving him distraught and enveloped in hopelessness. In the hospital Duke befriends a lively little kid named Roshan (Dwij Yadav) who is suffering from terminal illness. The rest of the film follows Roshan and Duke's bonding, and how the boy provides motivation and hope as Duke forgets his own grief.read full review...


4. Economic Times By Anubha Sawhney Joshi

The second best thing is that while Kangana Ranaut may not have had botox injected into her thin lips, she may have attempted a silicon filling. The worst thing about director Samir Karnik's final film of a trilogy (Nanhe Jaisalmer, Heroes) is its utterly pointless EQ.

We have heard the story a zillion times. Leading doctor (Bobby Deol) meets with a near-fatal accident that leaves him both bed-ridden as well as intellectually stunted. His explains his predicament to a friend: "Tu nahin samjhega. Is umar mein bed par toilet." Of course his girlfriend (Kangana) leaves him because, "I know he's a proud man and I'd rather break his heart now than make him feel indebted to me forever."

So the poor doctor, angry with life and unable to do much about it, screams, shouts and brings the hospital down with his obnoxious behaviour. Enter Roshan (Dwij Yadav), the sickeningly sweet and irritatingly cocky kid in the next room who takes it upon himself to give the doctor the only thing he really needs -- hope. Emotional atyachar at its worst. read full review...

Monday, September 14, 2009

BAABAR


BAABAR

cast:

Sohum Shah, Mithun Chakraborty, Om Puri, Tinnu Anand, Shakti Kapoor, Sushant Singh, Urvashi Sharma, Mukesh Tiwari, Govind Namdeo, Vivek Shauq, Vishwajeet Pradhan and Pratima Kazmi
Director: Ashuu Trikha

Producer: Mukesh Shah, Suniel S Saini

Director: Ashuu Trikha

Music Director: Anand Raj Anand

Singers: Anand Raj Anand, Rahul Sharma, Sukhwinder Singh, Sunidhi Chauhan, Raka Mukherji, Sunil Singh

Lyricist: Anand Raj Anand

Co Producer: Prakash Aggarwal, Saonjiv Kumar Pahwa, Navinn Parnaami

Director of Photography: Suhass Khandubhai Gujrathi

Dailogue: Vivek Mishra, Ikram Akhtar

Written By: Ikram Akhtar

Editor: Devendra Murdeshwar

Action Director: Abba Ali Moghul

Choreographer: Ganesh Acharya

Sound Recordist: Anup Mishra

Art Direction: Jayant Deshmukh

Background Score: Sunil singh

Mixing: Alok De ( Fiesta)

Pro: Parul Gosain

Laboratory: Prasad Laboratories Ltd

Di Line Producer: Jespal Nadar

Di Colorist: Jayadev Tiruveaipati

Di and Visual Effects: Pixion

Publicity Design: Epigram

OAP Visuals: Samaksh Communications

Costume Designer: Neeta Malhotra

Chief Assistant Director: Nisheeth Chandra


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Reviews
1. ApunKaChoice By Nikhil Kumar
For those still not tired of films about gun-toting goons, tobacco-chewing gangsters, power-hungry politicians, humourless encounter specialists and, most importantly, corrupt cops, here’s another addition to the genre - Baabarr.

The film begins as the journey of a young boy into the crime-infested world of a small town in Uttar Pradesh but soon becomes a gore-fest as the dead bodies pile up faster than you can keep the count. Director Ashuu Trikha attempts to jolt a viewer repeatedly with the blood-curdling depiction of violence, but that’s not what necessarily makes a good crime thriller.

When a boy commits his first murder at the age of 12, you can very well imagine what he will grow up to be - an extortionist and a killer. Even before his teenage Baabarr’s life takes a definitive direction into the world of crime, where rival gangsters gun for each other, corrupt cops are hand in glove with criminals whom politicians use for their read full review...

2.Bolleywood Hungama By Taran Adarsh
Gangster movies - this genre has been done to death. Films like PARINDA [Vidhu Vinod Chopra] and SATYA [Ramgopal Varma] stand tall on this list. But, of late, the genre has taken a backseat since people aren't too keen on watching bloodshed and the same old saga of an innocent taking to the world of crime.

BAABARR belongs to the same genre, yet is an exception. It shows how people, even kids, live by the gun and die by the gun. It tells you that crime never ends, it only changes faces. It tells of the wicked nexus between cops-politicians-gangsters and the deterioration of the law and order machinery. Also, this one's not Mumbai-centric, but is set in Uttar Pradesh.

BAABARR isn't just bloodshed, but at the same time, isn't for the faint-hearted either. There's violence galore, in fact several sequences are brutal, and chances are a section of the movie-going audience [read families/ladies] might shy away from this experience. read full review...

3. Buzz18 By Abhishek Mande .
This week's release Baabarr starring Mithun Chakraborty, Om Puri, Urvashi Sharma, Sushant Singh and Sohum clearly draws its inspiration from the cult classic Satya. In fact there is even a scene where the lead character's wife is shown to be watching and crying over the death of Ram Gopal Varma's hero on screen.

Unlike in the case of Satya for whom even you might have shed a tear, the hero of this film - Baabarr evokes little or no sympathy.

Baabarr tells the story of its eponymous hero's rise in the world of crime and the eventual downfall. Bringing about this is an SP Dwivedi (played by Mithun Chakraborty) who will go to any extent except break the law to get the dreaded gangster down to his knees.

Dwivedi's task is an almost impossible one since Baabarr is close to some very powerful politicians and also has on his side a corrupt cop called Chaturwedi (Om Puri) who is much more than what meets the eye.read full review...


4.Times of India by Avijit Ghosh

In the badlands of Uttar Pradesh, death can also come for the flimsiest of reasons. Even a row over a gilli-danda game can spiral into a murder as it happens for Baabarr Qureshi. And the event can just be a great career move in extortion and contract killings. That's how the life of Baabarr and his band of brothers unfurls.

With exceptions like the vastly under-feted Sehar (2005), not many films have journeyed into the bowels of the murky crime world of Uttar Pradesh. But right from the paan-stained walls, the charpois, the milky tea, the abattoirs with those scary butcher's knives, the claustrophic bylanes, cheek-by-jowl rooftops with flying kites -- Amanganj is rich in details. We get the feeling of watching something raw and real.

But, more than that, director Trikha (Alag, Deewanapan) and writer Ikram Akhtar also provide a feel of the ethos, the motivations, the values and attitudes of places like Amanganj where criminals become demi-gods. A small boy serving tea imitates the superstar criminal Baabaar's mannerisms and says, "Hum unke liye jaan bhi de sakte hain." The dialogues (Akhtar and Vivek Mishra) flavoured with Urdu words are again spot-on. And using a young boy's voice-over as a sutradhar is a neat little idea that works fine.

If Baabarr - why is everybody into numerology? - fails to create a firm impression, it's because director Trikha gets only the mood right, not the scenes. The killings of the rich businessman, the small-time contractor are shoddily constructed, almost amateurish. On occasions, the movie becomes a series of repetitive violent scenes even though the chase sequences, especially where Baabarr chases his rival Tabrez (an impressive Sushant Singh), are neatly executed. And, one wonders, whether the final twists in the tale are only for shock value, or they flow out of the narrative. read full review...

Sunday, September 13, 2009

VAADA RAHA


VAADA RAHA

Cast
Bobby Deol, Kangna Ranaut, Dwij Yadav, Sharat Saxena, Mohnish Behl, Vivek Shauq, Prateeksha Lonkar, Farida Dadi, Rajesh Vivek, Sanjeev Mehra, Rushita Singh, Pariva, Sudhir Drayan, Sukhwinder Chahal, Aadil Rana, Shadab Khan,
Producer : Sameer Karnik
Executive Producer: Leo Max Fernandes
Director : Sameer Karnik
Music Director : Toshi-Sharib, Rahul B. Seth, Sandharb, Babbu mann, Gaurav das gupta, monty,
Lyricist: Turaj, Rahul B Seth, babbu maan, sandeep nath
Director of Photography : Binod Pradhan
Dailogue: Sameer Karnik, aseem arora
Story : Aseem Arora
Editor: Sanjay Sankla
Action Director: Abba Ali Moghul
Choreographer : Bosco-Ceaser, Piyush Panchal
Laboratory: Adlabs
Di Colorist : Ken
Publicity Design : Pg Integrated
Chief Assistant Director: Ashish Khatpal
Charted Accountant : Anil Shekhri & Co.
Accountant : Sanjeev Pandey
Production Controler: Bhiva Saloskar
Production Team Chandrakant Bamane, Althomas
Assistant Director: Aseem Arora
Direction Team : Rabi Shnkar Jaiwal, Rohan A Bajaj, Ramesh C Pandey
Post Production Supervisor : Ashish Khatpal
On Air Promotion: Himnshu Sheth ( Aum Advertising)
Lab Incharge : Krishna Shetty
Background Music : Sanjoy Chowdhary
Sound Design : Lesie M Fernandes( Flavors Films Mix.)


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Tuesday, September 8, 2009

FOX


FOX

Cast: Sunny Deol, Arjun Rampal, Udita Goswami, Sagarika Ghatge, Vipul Gupte

Music Director : Monty Sharma

Director :
Deepak Tijori

Lyricst: Sandeep Nath

Singers :Kunal Ganjawala, Shreya Ghoshal, Akruti Kakkar, Sunidhi Chauhan, KK, Mika Singh


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Review

1. India Express By Shubhra Gupta

Deepak Tijori’s supposed suspense-thriller comes from the old school of filmmaking where the first hour is exhausted only on character introductions, lousy love stories, redundant songs and an interval point where you realize that you had actually come to watch a who-dun-it?

Arjun Kapoor (Arjun Rampal) is a criminal lawyer having a repute of acquitting the worst of convicts. As realization strikes one fine day, Arjun, seized by guilt pangs, quits his profession and retires to Goa. There he makes friends with an old man who hands him a manuscript which he wishes to get published but before that passes away. Arjun gets the book published to his credit and incidentally it becomes the bestseller.

The same book gets him into trouble when inspector Yashwant Deshmukh (Sunny Deol) arrests him on charges that the novel isn’t fictional but mentions factual murders which Arjun is held responsible for. Now Arjun has to prove himself innocent. read full review...

2. AOL by Noyon Jyoti Parasara / Sanskriti Media & Entertainment
‘Fox’ has an interesting premise. It is about a lawyer who has been busy for years using law to save criminals. And then one day his conscience comes knocking and he goes backpacking to Goa for a break. But things go wrong when he gets framed for murder and the lawyer is to figure out things for himself. All stage is set for an intriguing chase and a thrilling story. However, ‘Fox’ fails.

It fails because of the eternal problem with suspense thrillers – the film is slow and the suspense unfolds without any thrills. It does not even surprise you one bit. ‘Fox’ is just not written well. While the pace is slow, the dialogues hardly interest you. There are too many loose ends and characters remain unexplained. Udita Goswami’s character and her romantic alliance is a bigger mystery than the actually mystery. Sagarika Ghatge hardly has anything to do and ends up playing a rather shallow character. Also, newcomer Vipul Gupte gets a raw deal. Even in terms of their performance, there’s nothing to write home about.

Another annoying part about ‘Fox’ is its camera work. Too many hand held shots, intended to give a shaky feel, actually give you a headache and do away with all your attention on the scene.read full review...

3. Filmfair by Parasshuram

Sunny Deol’s latest Hindi movie Fox will be released on 4th sept. Fox is an action thriller movie

Fox is an edge-of-the-seat suspense thriller that moves at high speed between the bustling metropolis of Bombay and the beautiful beaches of Goa.

The story is about a cat and mouse run between a criminal lawyer (Arjun Rampal) and a stranger who is controlling and threatening his life. Now the lawyer must seek the help of a reluctant cop (Sunny Deol) in solving the mystery.

The story revolves around a young, successful criminal lawyer, Arjun Kapoor whose knowledge and aggressive interpretation of the law makes him a name to reckon with. He is reputed to have never lost a case and can get anyone acquitted, no matter what the crime. No wonder, then, criminals swear by his name. read full review...

4.BUZZ 18 by Anand Vaishanav

Deepak Tijori thankfully refrains from any sleaze in his new film Fox. The thriller is about a sharp but corrupt criminal lawyer Arjun (Rampal) who makes a career out of defending bad guys. A conscience attack makes him re prioritise his life and Arjun decides to take a break. During his vacation, he lands upon a dead lawyer’s manuscript. Arjun releases the copy in his own name and the manuscript turns into an overnight bestseller. Trouble begins when a cop (Sunny Deol) frames Arjun for murder, based on clues in the manuscript. Arjun of course has to prove his innocence against a manuscript that doesn’t even belong to him.

Fox picks up an interesting but deliberately confusing subject. Deepak Tijori weaves in too many characters and forced twists to keep the audience puzzled. Unfortunately his execution lacks bite. Most of the sequences flow in a lethargic manner. After a fast paced start, the movie slips into a long love triangle. Sunny’s impressive entry at the interval point increases expectations. But none of mystery elements add up to a truly gripping climax.

What makes Fox marginally engaging is Arjun Rampal and Sagarika Ghtage's chemistry. The two somehow manage to rise above the dull proceedings. Rampal is enjoying acting these days so even his wooden expressions actually work. Ghatge deserved a better dubbing artiste, but has a pleasing screen presence. All she needs is truly glamorous role in a lavish film. Udita Gowswami provides some of the oomph factor. However her role adds no meat to the subject. Deol tries hard to rise above a sketchy character and is saddled with mundane dialogues. read full review...

5. OneIndia by
Taran Adarsh, Bollywood Hungama

Making a suspense thriller is tough. To keep the audience attentive, besides keeping the viewer guessing till the end, requires complete understanding of the craft. Deepak Tijori had attempted a suspense thriller earlier [most storytellers have a penchant for this genre] and Fox, a complex theme, is more of a challenge for him. So, does Tijori get it right? Initially, yes. But Tijori loses it all towards the post-interval portions. The culmination is the thorn in the flesh.

Strangely, most film-makers in Bollywood just don't give a proper conclusion to suspense thrillers
. The wrap up is just not compelling, with most films running out of steam in the final leg. Fox falls in this category. Verdict? This fox lacks the bite!


Arjun [Arjun Rampal] is a successful criminal lawyer whose knowledge and aggressive interpretation of the law makes him a name to reckon with. He is reputed to have never lost a case and can get anyone acquitted, no matter what the crime. No wonder then, criminals swear by his name.

After years of saving criminals from punishment, one day, torn with guilt, he decides to quit his law practice and change for good. However, someone seems to be unwilling to let him go so easily. Now, Arjun is in a race to save himself and must use the help of his girlfriend [^] Urvashi [Sagarika Ghatge] and a police officer Yash [Sunny Deol] before it's too late. read full review...

Monday, August 10, 2009

Teree Sang



TEREE SANG
Cast
Ruslaan Mumtaz, Neena Gupta, Satish Kaushik, Rajat Kapoor, Sheena Shahabadi, Sushmita Mukherjee
Director: Satish Kaushik
Music: Anu Malik

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Saturday, August 1, 2009

Love Aaj Kal

Love Aaj Kal
Cast:
Saif Ali Khan, Deepika Padukone, Shweta Gulati, Rishi Kapoor, Rahul Khanna
Director: Imtiaz Ali
Rapidshare
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Review
1. India Express By Shubhra Gupta
Jai and Meera are a very today couple. They noodle around in London, figuring out if they are, like, together. That entails mugs of black coffee and lots of smart chatter, and eventually, a parting of ways, because they can’t quite get a handle on their feelings. Like, love, you know, who knows?
Veer and Harleen take us back to the 60s. He follows her rickshaw on his cycle in Purani Dilli, and she takes note of her smitten Sikh suitor with downcast eye and demure smile. She’s a ‘soni kudi’, he’s a ‘changa munda’, and there is nary a doubt in their hearts that they are meant for each other.
Imtiaz Ali’s new film shuttles between the two time zones, ‘aaj’ and `kal’, and his twin-set of lovers, as they ricochet between cities and conviction. We get good-looking locations in London, Delhi, Calcutta, San Francisco, and exceedingly good-looking people. We get zippy backchat (I’m not trying to pile on, says Jai; then why pile on, shoots back Meera). We get some really nice moments. What we don’t, is a crackling romance. read full review...
2. Buzz18 By Anand Vaishnav .
There are three reasons why you must catch Love Aaj Kal ASAP – dialogues, performances and music. Imtiaz Ali's tale of love, then and now is a light hearted and refreshing watch.
Burnout, commitment phobia, long distance relationships – issues the minus 30-generation can easily identify with, are subtly touched upon throughout the movie. Here's a film that actually talks the talk.
Like Socha Na Tha and Jab We Met, Imtiaz Ali's third film also rests on a wafer-thin plot. The director uses smart one-liners and life-like situations to take the story forward. Love Aaj Kal is about Jai (Saif Ali Khan) an urban, alpha male who can't understand the meaning of love. His girl friend Meera (Deepika Padukone) also believes in choosing career over romance. After a mutual breakup, Jai meets the grand old Veer (Rishi Kapoor). He narrates his own love story to give Jai a peak into old-fashioned romance. The conflicting approaches to love form the base of Love Aaj Kal. read full review....

3. Bollywood Hungama By: Taran Adarsh,
Come to think of it, if the film carries the 'burden' of humungous expectations, it's imperative that it goes beyond those expectations. The reaction after watching the film has to be similar to a child who has laid his hands on his fav toy. The joyous smile would say it all. The question is, does Love Aaj Kal live up to the hype and hoopla surrounding it? Or does it go beyond that?
Buzz up!Love Aaj Kal is not an easy film to write and execute. Sure, it's a love story, but it's not one of those mundane love stories that talks of love and heartache. Here, the two stories, set in different eras, run parallel, but have a similar end.
To be brutally honest, it takes time to grasp the plot, since the past and present run concurrently. If you aren't attentive, chances are you'd lose the plot. Also, if you aren't aware by now that Saif enacts dual roles in the film -- playing his part as also the part of young Rishi Kapoor -- the goings-on would confuse you no end, when the transition occurs.
Love Aaj Kal is a director's show entirely. The relationships here are complex because the couple in love lives in complete denial. It is to Imtiaz Ali's credit that he has penned an offbeat story, developed a complex but comprehensive screenplay and extracted sensitive performances from the principal cast. At the same time, the writing isn't the type that would appeal to all sections of movie-going audience. Besides, the execution of the subject and also the pacing in the first hour are deterrents.
Final word? Love Aaj Kal makes you fall in love with love all over again. Makes you value your loved ones all the more. This film is special!...read full review....

4. LiveMint by Sanjukta Sharma

Love is rarely a prosaic thing in our movies. Either sacrosanct or scandalous, innocent or impetuous, tragic or wicked, it can never be as banal as it can be real life. Love that we imagine love to be—that’s what great romantic films play on, and that’s why great romantic films are comfort films (like comfort food). Since his first film Socha naa Tha (2005), writer-director Imtiaz Ali has used that time-tested tool effectively and stylishly. Ali’s new film Love Aaj Kal is no different. There’s boy, there’s girl, there’s love, hurdles, heartbreak and happy ending—not much else. But unlike in Socha naa Tha and Jab we Met (2007), there’s some deliberate verbal discourse on love here. Ali believes that in the good old days, say in the 1960s, love was a thing of the heart. It still is, except he thinks today’s youth are cynical fools who believe that love can be conquered by reason. Quite a shaky premise to begin with, but a premise never made a good film.

In this sense, Love Aaj Kal is Woody Allenseque in parts. There are some long dialectics on the true nature of love between two men separated by generations, reminiscent of Woody pontificating in films such as Annie Hall. Ali, of course, is rooted to where his audience is, and is true to his own Bollywood sensibility. He makes the love-for-the-sake-of-love side of the argument win hands down. The result is a breezy, sweet romantic comedy that’s worth two hours of your time. Yes, two hours; the film’s duration gets my full thumbs-up. There is no long,
laboured climax drowned in dialogue and background music... read full review...

5.ApunKaChoice By Naresh Kumar Deoshi

The mighty mysterious love, which has remained unexplained even after tomes of literature has been written about it and tones of celluloid consumed, finds a delicate, touching expression in director Imtiaz Ali’s film Love Aaj Kal. Through two parallel love stories, both equally moving and relatable, the movie tells its audience that Love Aaj is no different from Love Kal (yesterday) even though the way of expressing it for today’s i-pod generation may be
different from that of the lovers of yore when just the meeting of eyes or passing of a smile could throb a heart more than a rocking bed on a one-night stand.
London 2009. Jai (Saif Ali Khan) and Meera (Deepika Padukone) click on their very first meeting in a pub and end up sharing their first kiss the same night. They don’t realize they are a couple until their friends point it out to them. And just when it seems they would walk hand-in-hand into the sunset, rears its head the modern-day monster that has doomed many love stories - Career! He has an American dream of clinching a job in Golden Gate, San Francisco, while she wants to make a career out of restoring the old monuments of Delhi. Clearly, their ways are separate, and, like any ‘practical’ couple, they mutually decide to split and even throw a break-up party.But, can the matters of heart be resolved so easily? Is it so easy to snap the heart strings and move on?..read full review....

Saturday, July 25, 2009

Luck


Luck
Cast:
Sanjay Dutt, Mithun Chakraborty, Danny Denzongpa, Imran Khan, Ravi Kissen, Shruti K. Haasan, Rati Agnihotri, Chitrashi Rawat, Daya Shanker Pandey & others
Producer: Dhillin Mehta
Director: Soham Shah

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Review

1. India Express By Shubhra Gupta

What is it with Bollywood and adventure? Why can’t we do thrillers in which our hearts leap into our mouths, and stay there? ‘Luck’, which is based entirely on the premise of it brimming over with edge-of-the-seat action, tips us over a couple of times-- at best. The rest is spent building up to a climax which isn’t.

Ram (Imran) is an average Joe who needs a lot of money. So does Ayesha (Shruti), and Major (Mithun), and Shortcut (Chitrashi). Along comes Big Betting Man Musa (Sanjay) and his right-hand man (Danny), who gather up this cash-strapped lot and transport them to South Africa, where they play on their luck, for their lives.

Bounty-hunting humans in the movies can be frightening and appalling, all at the same time. But Shah, who did ‘Kaal’ before this, treats Musa’s shenanigans as benign betting, and that colours the improbable proceedings: we settle back, knowing that the lead actors will find that elusive parachute or escape that toothy shark. It’s the unfortunate ‘firang’ extras who come to an untimely end, the losers... Read Full Review..

2.
INDIATIMES MOVIES by Gaurav Malani,

Reality televisioncomes to big screen but the fear factor is that it's too pretentious. So in the same South African city where Akshay Kumar played host to daredevil girls, Sanjay Dutt challenges an eclectic group to perform stunts for his betting business. Predictably you also know their order of elimination with the junior artists getting knocked-off first and subsequently the hero (Imran Khan) surviving over the villain (Ravi Kishen). Ironically, while reality shows are unnecessarily scripted, films which need a tight script are loosely written.

The first half of the film is merely devoted to character introductions though none are convincingly established. For the zillionth time, Sanjay Dutt repeats his gun-toting act, moving around in sherwani, jackets and a French beard in the company of black-suited bodyguards. What more, even his name isn't any different - Musa. Ram Mehra (Imran Khan) has to repay the 20 crores that his late father had lost in stock market. Retired Major Jawar Pratap Singh (Mithun Chakravarthy) has the same conflict that Amitabh Bachchan had in Kaante - needs money for his ailing wife. For the neighbouring country connection, the script takes a Shortcut (Chitrashi Rawat). The best is yet to come! When a loose noose fails to hang rapist Raghav (Ravi Kishen) to death, he is officially set free by the law....read full review

3.
CNN-IBN by Rajeev Masand
Now here's the thing about action films. Most of them aren't particularly smart, but you're willing to overlook that if they make for a dramatic and thrilling experience. The problem with Luck, which opens at cinemas this weekend, is that it's neither smart nor spectacular.

Sanjay Dutt stars as Musa, a gambling kingpin who's made a fortune in human betting. His faithful henchman Tamang (played by Danny Denzongpa) is entrusted the job of travelling the world and recruiting the luckiest people he can find to participate in a Fear Factor-style series of dangerous challenges, while loaded gamblers place bets on them.

Lured by the promise of a fat cash prize to the one who survives all challenges, a motley bunch of misfits – including Imran Khan, Mithun Chakraborty, Ravi Kissen, Shruti Haasan, Chitrashi Rawat, and a handful of your staple foreign extras from Colaba Causeway – volunteer to jump off helicopters and enter shark-infested waters.

Borrowing his premise and key scenes quite liberally from a handful of films including Spanish thriller Intacto, French cult-favorite 13 Tzameti and Hollywood B-movie The Condemned, writer-director Soham Shah delivers a mangled mess of a picture that fails to engage because the characters are all stereotypes and you really couldn't care less if they lost their lives in those dangerous stunts.... read full review..


4. Sahara Samay by Amit Shah
Mumbai: Director Soham Shah's multi-starrer action thriller is a feast for moviegoers, who love daring stunts. It is one of the best action thrillers of Bollywood. People who love action thriller should not miss it.

The story is based on a betting syndicate run by mafia king pin
Kareem Musa (Sanjay Dutt). Kareem Musa takes the game of betting to highest level by involving humans as betting objects.

Musa's aide Tamang (DannyDengonzapa) selects 20 participants from across the globe and assembles them in South Africa for the daring game. The participants have a proven record of extreme luck.

Betters put their money on the participants through Musa. The film starts with a new season. The participants are Ram (Imran Khan), who is a working professional and wants to earn huge money to compensate his father's fraud, Ayesha (Shruti Hassan), Retd. Col Singh (Mithun Chakravorty), who needs money for his wife's operation, Shortcut (Chitrashi) and Raghav (Ravi Kissen), who plays the role of a serial murderer.

All these participants are put into extremely dangerous life taking games of luck and who manages to win the big jackpot amongst them forms the rest of the film... read full review...



Friday, July 10, 2009

Shortkut, The Con Is On

Shortkut, The Con Is On
Cast:
Akshaye Khanna, Arshad Warsi, Amrita Rao, Chunkey Pandey
Director:Neeraj Vora
Producer:Anil Kapoor
Music Director:
Loy Mendonsa, Ehsaan Noorani, Shankar Mahadevan
Playback Singer:
Hrishikesh Kamerkar, Nikita Nigam, Javed Ali,
Alka Yagnik, Shreya Ghosal, Shankar Mahadevan, Sonu Nigam
Lyricist:Javed Akhtar
Cinematographer:Ashok Mehta
Story Writer:Anees Bazmee
Costume Designer:Manish Malhotra


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Review

1. INDIATIMES MOVIES by Gaurav Malani
There is no short cut to success is what this film intends to convey taking a very long route. Sadly, at the very outset, producer Anil Kapoor attempts to take a shortcut by choosing to (officially) remake a Malayalam film Udayananu Tharam (Mohanlal, Sreenivasan) which in turn is a (unofficial) spin-off on the Hollywood flick Bowfinger (Steve Martin, Eddie Murphy).

The film is Indianized with an additional sub-plot of how a non-actor (Arshad Warsi) turns an overnight superstar by stealing the script of an assistant director (Akshaye Khanna). Ironical that a film that centers on stealing of a script is itself a take-off of another film!

More irony unveils as the film goes on to highlight the significance of terms like script, storyboard, Stanislavsky and world cinema in filmmaking while actually giving no regards to any, indulging in self-mockery. Akshaye Khanna’s writer’s block appears more as if he’s stuck up in solving some math numerical. Every time he gets an ending to his story, he screams out saying ‘I got my climax’, which sounds suggestive with cheesy connotations.

The derived screenplay is patchy and its shows as writer Neeraj Vora struggles to script weak characters and weaker conflicts. Picture this – the assistant director gets married to superstar Mansi (Amrita Rao) and his chawl neighbours gift him a palatial flat. The graph goes flat as the story turns towards matrimonial disharmony with Mansi soon giving up on her chauvinistic husband. ..read full review

2. Indya.com by Janhvi Patel/Hill Road Media

I didnt have great expectations from Short Kut since I knew first hand and StarBoxOffice was the first to break the story about how it is a rip-off of the Hollywood film Bowfinger. Worse, when you dread watching a film you know will be lame, its intolerable cruelty. This Short Kut will only take you downhill with its canned laughs. Why did Anil Kapoor produce such a film? What did he see in it? Did he think they were making a Bowfinger equal?

Akshaye Khanna plays Shekhar, a talented AD turned script-writer-director. Arshad Warsi plays Raju aka Rajesh Kumar, a much-hated and feared wannabe who takes short cuts to success. Tiku Talsania is Mr. Tolani, a producer, Amrita Rao is superstar Mansi in love with Shekhar. Raju steals Shekhar's script and stars in a film based on it. Chunky Pandey plays Kapoor, Raju's manager The film is a hit and he becomes a star. Shekhar is devastated but decides to take his revenge. He also marries Mansi and becomes Mr.Mansi, a tag he cannot live with. So Mansi leaves him. A twist of events causes Shekhar to make a movie with Raju.

Here are a few things that irked me during the movie:

Shekhar says, "Main tumhare bina adhoora hu" to which Mansi replies, "Mein tumhari ho gayi jab tumne mujhe pukara". It translates to "You complete me" and "You had me at hello", made famous by Tom Cruise and Renee Zellweger in Jerry Maguire. Obviously in ShortKut it doesn't have the same tear jerking impact that it had in Jerry Maguire. Whatever happened to originality?...read full review

3. Yahoo by Shubhra Gupta

Jobless, hopeless actor Raju steals a superb script from sincere, hardworking writer Shekhar. A film is made. Raju turns into a superstar, Shekhar, a whingeing loser.

Shortkut suffers from director Neeraj Vora's customary inability to infuse any newness or subtlety into a plot that could easily have gone the other way. It covers roughly the same ground as Zoya Akhtar's Luck By Chance, minus its craft and skill. Everything is loud and plastic, and the actors all chant their lines at the top of their voices. Akshaye inhabits the same grid as he always has. Love interest Amrita Rao matches him, her unlimited cleavage not making up for limited range. And Arshad is the biggest disappointment, the highlight of his act being a crotch joke, when a champagne cork hits him in the nuts.

He's been doing a string of low-budget horrors in which he's been the best thing. Here he has no excuse — this is a big-budget, big banner film, with a fully-fleshed out role. Arshad Warsi, fine actor, RIP?.. read full review

4.CNN-IBN by Rajeev Masand

Shortkut starring Akshaye Khanna, Arshad Warsi and Amrita Rao is not what I’d call a bad film. But it is, most certainly a pointless one. It’s got a standard storyline and no surprises in its telling.

Akshaye Khanna plays an assistant director in the Mumbai film industry who’s just finished writing a script he wants to direct himself. His struggling actor roommate, Arshad Warsi steals the script and hands it over to a producer who promptly agrees to make the film and to cast Arshad in the lead.

So while Akshaye’s dreams of becoming a successful filmmaker are shattered, Arshad turns into an overnight superstar.

Over the course of two hours and fifteen minutes, director Neeraj Vora drives home the point that there are no shortcuts in life, only sincerity and hard work ultimately pays.

Problem is, the film’s so lifeless and boring, you find yourself searching for a shortcut in the cinema that could instantly take you back to the comfort of your home. .. read full review