Monday, September 28, 2009

WANTED


WANTED

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DIL BOLE HADIPPA


DIL BOLE HADIPPA
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Thursday, September 17, 2009

Aagey Se Right


Aagey Se Right

Cast:
Shreyas Talpade, Kay Kay Menon, Shehnaz Treasurywala, Bharti Achrekar, Vijay Maury, Mahi Gill, Shiv Pandit, Shruti Seth. Rakesh Bedi
Director: Indrajit Nattoji

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Reviews
1. ApunKaChoice By Nikhil Kumar
Since when did young kids begin talking like the wise old grandpas? Well, the child in Vaada Raha... I Promise wisecracks with such insight that might leave the lungi-clad pseudo gurus on bhakti channels scampering for cover.
Jokes apart, ‘Vaada Raha’ is about hope, hope that a young kid gives to a man who’s lost the will to live. Dr. Duke Chawla (Bobby Deol) lives an ideal life. He’s got a beautiful girlfriend (Kangana Ranaut); he’s been honoured for his unique research on cancer; he’s got a loyal set of friends and other things (including a dog) that make his life perfect. But one accident turns his life topsy-turvy.
Duke is paralyzed and his girlfriend dumps him the first thing. Devastated and having lost the desire to live, the hospitalized Duke refuses to eat or take his medicines. And then, a kid (Dwij Yadav) enters his life like a little angel. At first the sulky and brooding Duke spurns the kid’s advances. Slowly as the paralyzed doc and the kid become friends, a miracle
read full review...

2. CNN IBN
By Rajeev Masand
Vaada Raha, directed by Samir Karnik is a cheesy, emotionally manipulative, sob-saga that doesn't even deserve a straight-to-television release.

Bobby Deol plays genius surgeon Duke Chawla, who becomes paralysed neck down in a road accident, and is subsequently dumped by his fiancée (played by Kangana Ranaut), for a reason so bizarre, you have to see it to believe it. Languishing in a hospital, angry and overcome with despair, he at first rejects the overtures of friendly kid Roshan (played by Dwij Yadav), the resident smart-alec in the place. The little tyke, however, wins our hero's affections and motivates him to recover speedily, even as the boy succumbs to his own fatal condition eventually, which he's always kept hidden from Duke.

Sickeningly sentimental, Vaada Raha is full of logical loopholes and is directed with a loose hand by Karnik, who gives us some of the most ridiculous scenes you can think of, including one in which Duke tries to end his life by chewing his IV tubes, and another one in which he supervises a heart surgery from his hospital bed.

The film is packed with silly stereotypes like faithful dog who won't eat till his master does, cheery hospital staff straight out of a Sooraj Barjatya film, and happy patients who don't seem to ever want to leave the hospital at all.
read full review...

3. India.com
Vaada Raha... I Promise' has certainly come into being because someone owed someone else a big favor, since even the lousiest of film personalities would have thrown the script into the trash can.

It is quite evident that stars Bobby Deol and Kangana Ranaut did not read the script before signing on this movie. And it looks like the producers were deliberately rubbing the salt in by naming the film 'Vaada Raha... I Promise'. Director Samir Karnik doesn't learn from his mistakes after the debacles of 'Kyun...! Ho Gaya Na', 'Nanhe Jaisalmer: A Dream Come True ' and last year's 'Heroes'.

Coming to the story, Bobby Deol plays Duke Chawla, a successful Doctor who is to be hitched to Nalini (Kangana Ranaut). Right before they get married, Duke meets with an accident and is left paralysed from the neck down. And just when he thinks Nalini's love and affection will nurse him back to health, the lady drops him like a hot plate, leaving him distraught and enveloped in hopelessness. In the hospital Duke befriends a lively little kid named Roshan (Dwij Yadav) who is suffering from terminal illness. The rest of the film follows Roshan and Duke's bonding, and how the boy provides motivation and hope as Duke forgets his own grief.read full review...


4. Economic Times By Anubha Sawhney Joshi

The second best thing is that while Kangana Ranaut may not have had botox injected into her thin lips, she may have attempted a silicon filling. The worst thing about director Samir Karnik's final film of a trilogy (Nanhe Jaisalmer, Heroes) is its utterly pointless EQ.

We have heard the story a zillion times. Leading doctor (Bobby Deol) meets with a near-fatal accident that leaves him both bed-ridden as well as intellectually stunted. His explains his predicament to a friend: "Tu nahin samjhega. Is umar mein bed par toilet." Of course his girlfriend (Kangana) leaves him because, "I know he's a proud man and I'd rather break his heart now than make him feel indebted to me forever."

So the poor doctor, angry with life and unable to do much about it, screams, shouts and brings the hospital down with his obnoxious behaviour. Enter Roshan (Dwij Yadav), the sickeningly sweet and irritatingly cocky kid in the next room who takes it upon himself to give the doctor the only thing he really needs -- hope. Emotional atyachar at its worst. read full review...

Monday, September 14, 2009

BAABAR


BAABAR

cast:

Sohum Shah, Mithun Chakraborty, Om Puri, Tinnu Anand, Shakti Kapoor, Sushant Singh, Urvashi Sharma, Mukesh Tiwari, Govind Namdeo, Vivek Shauq, Vishwajeet Pradhan and Pratima Kazmi
Director: Ashuu Trikha

Producer: Mukesh Shah, Suniel S Saini

Director: Ashuu Trikha

Music Director: Anand Raj Anand

Singers: Anand Raj Anand, Rahul Sharma, Sukhwinder Singh, Sunidhi Chauhan, Raka Mukherji, Sunil Singh

Lyricist: Anand Raj Anand

Co Producer: Prakash Aggarwal, Saonjiv Kumar Pahwa, Navinn Parnaami

Director of Photography: Suhass Khandubhai Gujrathi

Dailogue: Vivek Mishra, Ikram Akhtar

Written By: Ikram Akhtar

Editor: Devendra Murdeshwar

Action Director: Abba Ali Moghul

Choreographer: Ganesh Acharya

Sound Recordist: Anup Mishra

Art Direction: Jayant Deshmukh

Background Score: Sunil singh

Mixing: Alok De ( Fiesta)

Pro: Parul Gosain

Laboratory: Prasad Laboratories Ltd

Di Line Producer: Jespal Nadar

Di Colorist: Jayadev Tiruveaipati

Di and Visual Effects: Pixion

Publicity Design: Epigram

OAP Visuals: Samaksh Communications

Costume Designer: Neeta Malhotra

Chief Assistant Director: Nisheeth Chandra


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Reviews
1. ApunKaChoice By Nikhil Kumar
For those still not tired of films about gun-toting goons, tobacco-chewing gangsters, power-hungry politicians, humourless encounter specialists and, most importantly, corrupt cops, here’s another addition to the genre - Baabarr.

The film begins as the journey of a young boy into the crime-infested world of a small town in Uttar Pradesh but soon becomes a gore-fest as the dead bodies pile up faster than you can keep the count. Director Ashuu Trikha attempts to jolt a viewer repeatedly with the blood-curdling depiction of violence, but that’s not what necessarily makes a good crime thriller.

When a boy commits his first murder at the age of 12, you can very well imagine what he will grow up to be - an extortionist and a killer. Even before his teenage Baabarr’s life takes a definitive direction into the world of crime, where rival gangsters gun for each other, corrupt cops are hand in glove with criminals whom politicians use for their read full review...

2.Bolleywood Hungama By Taran Adarsh
Gangster movies - this genre has been done to death. Films like PARINDA [Vidhu Vinod Chopra] and SATYA [Ramgopal Varma] stand tall on this list. But, of late, the genre has taken a backseat since people aren't too keen on watching bloodshed and the same old saga of an innocent taking to the world of crime.

BAABARR belongs to the same genre, yet is an exception. It shows how people, even kids, live by the gun and die by the gun. It tells you that crime never ends, it only changes faces. It tells of the wicked nexus between cops-politicians-gangsters and the deterioration of the law and order machinery. Also, this one's not Mumbai-centric, but is set in Uttar Pradesh.

BAABARR isn't just bloodshed, but at the same time, isn't for the faint-hearted either. There's violence galore, in fact several sequences are brutal, and chances are a section of the movie-going audience [read families/ladies] might shy away from this experience. read full review...

3. Buzz18 By Abhishek Mande .
This week's release Baabarr starring Mithun Chakraborty, Om Puri, Urvashi Sharma, Sushant Singh and Sohum clearly draws its inspiration from the cult classic Satya. In fact there is even a scene where the lead character's wife is shown to be watching and crying over the death of Ram Gopal Varma's hero on screen.

Unlike in the case of Satya for whom even you might have shed a tear, the hero of this film - Baabarr evokes little or no sympathy.

Baabarr tells the story of its eponymous hero's rise in the world of crime and the eventual downfall. Bringing about this is an SP Dwivedi (played by Mithun Chakraborty) who will go to any extent except break the law to get the dreaded gangster down to his knees.

Dwivedi's task is an almost impossible one since Baabarr is close to some very powerful politicians and also has on his side a corrupt cop called Chaturwedi (Om Puri) who is much more than what meets the eye.read full review...


4.Times of India by Avijit Ghosh

In the badlands of Uttar Pradesh, death can also come for the flimsiest of reasons. Even a row over a gilli-danda game can spiral into a murder as it happens for Baabarr Qureshi. And the event can just be a great career move in extortion and contract killings. That's how the life of Baabarr and his band of brothers unfurls.

With exceptions like the vastly under-feted Sehar (2005), not many films have journeyed into the bowels of the murky crime world of Uttar Pradesh. But right from the paan-stained walls, the charpois, the milky tea, the abattoirs with those scary butcher's knives, the claustrophic bylanes, cheek-by-jowl rooftops with flying kites -- Amanganj is rich in details. We get the feeling of watching something raw and real.

But, more than that, director Trikha (Alag, Deewanapan) and writer Ikram Akhtar also provide a feel of the ethos, the motivations, the values and attitudes of places like Amanganj where criminals become demi-gods. A small boy serving tea imitates the superstar criminal Baabaar's mannerisms and says, "Hum unke liye jaan bhi de sakte hain." The dialogues (Akhtar and Vivek Mishra) flavoured with Urdu words are again spot-on. And using a young boy's voice-over as a sutradhar is a neat little idea that works fine.

If Baabarr - why is everybody into numerology? - fails to create a firm impression, it's because director Trikha gets only the mood right, not the scenes. The killings of the rich businessman, the small-time contractor are shoddily constructed, almost amateurish. On occasions, the movie becomes a series of repetitive violent scenes even though the chase sequences, especially where Baabarr chases his rival Tabrez (an impressive Sushant Singh), are neatly executed. And, one wonders, whether the final twists in the tale are only for shock value, or they flow out of the narrative. read full review...

Sunday, September 13, 2009

VAADA RAHA


VAADA RAHA

Cast
Bobby Deol, Kangna Ranaut, Dwij Yadav, Sharat Saxena, Mohnish Behl, Vivek Shauq, Prateeksha Lonkar, Farida Dadi, Rajesh Vivek, Sanjeev Mehra, Rushita Singh, Pariva, Sudhir Drayan, Sukhwinder Chahal, Aadil Rana, Shadab Khan,
Producer : Sameer Karnik
Executive Producer: Leo Max Fernandes
Director : Sameer Karnik
Music Director : Toshi-Sharib, Rahul B. Seth, Sandharb, Babbu mann, Gaurav das gupta, monty,
Lyricist: Turaj, Rahul B Seth, babbu maan, sandeep nath
Director of Photography : Binod Pradhan
Dailogue: Sameer Karnik, aseem arora
Story : Aseem Arora
Editor: Sanjay Sankla
Action Director: Abba Ali Moghul
Choreographer : Bosco-Ceaser, Piyush Panchal
Laboratory: Adlabs
Di Colorist : Ken
Publicity Design : Pg Integrated
Chief Assistant Director: Ashish Khatpal
Charted Accountant : Anil Shekhri & Co.
Accountant : Sanjeev Pandey
Production Controler: Bhiva Saloskar
Production Team Chandrakant Bamane, Althomas
Assistant Director: Aseem Arora
Direction Team : Rabi Shnkar Jaiwal, Rohan A Bajaj, Ramesh C Pandey
Post Production Supervisor : Ashish Khatpal
On Air Promotion: Himnshu Sheth ( Aum Advertising)
Lab Incharge : Krishna Shetty
Background Music : Sanjoy Chowdhary
Sound Design : Lesie M Fernandes( Flavors Films Mix.)


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Tuesday, September 8, 2009

FOX


FOX

Cast: Sunny Deol, Arjun Rampal, Udita Goswami, Sagarika Ghatge, Vipul Gupte

Music Director : Monty Sharma

Director :
Deepak Tijori

Lyricst: Sandeep Nath

Singers :Kunal Ganjawala, Shreya Ghoshal, Akruti Kakkar, Sunidhi Chauhan, KK, Mika Singh


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Review

1. India Express By Shubhra Gupta

Deepak Tijori’s supposed suspense-thriller comes from the old school of filmmaking where the first hour is exhausted only on character introductions, lousy love stories, redundant songs and an interval point where you realize that you had actually come to watch a who-dun-it?

Arjun Kapoor (Arjun Rampal) is a criminal lawyer having a repute of acquitting the worst of convicts. As realization strikes one fine day, Arjun, seized by guilt pangs, quits his profession and retires to Goa. There he makes friends with an old man who hands him a manuscript which he wishes to get published but before that passes away. Arjun gets the book published to his credit and incidentally it becomes the bestseller.

The same book gets him into trouble when inspector Yashwant Deshmukh (Sunny Deol) arrests him on charges that the novel isn’t fictional but mentions factual murders which Arjun is held responsible for. Now Arjun has to prove himself innocent. read full review...

2. AOL by Noyon Jyoti Parasara / Sanskriti Media & Entertainment
‘Fox’ has an interesting premise. It is about a lawyer who has been busy for years using law to save criminals. And then one day his conscience comes knocking and he goes backpacking to Goa for a break. But things go wrong when he gets framed for murder and the lawyer is to figure out things for himself. All stage is set for an intriguing chase and a thrilling story. However, ‘Fox’ fails.

It fails because of the eternal problem with suspense thrillers – the film is slow and the suspense unfolds without any thrills. It does not even surprise you one bit. ‘Fox’ is just not written well. While the pace is slow, the dialogues hardly interest you. There are too many loose ends and characters remain unexplained. Udita Goswami’s character and her romantic alliance is a bigger mystery than the actually mystery. Sagarika Ghatge hardly has anything to do and ends up playing a rather shallow character. Also, newcomer Vipul Gupte gets a raw deal. Even in terms of their performance, there’s nothing to write home about.

Another annoying part about ‘Fox’ is its camera work. Too many hand held shots, intended to give a shaky feel, actually give you a headache and do away with all your attention on the scene.read full review...

3. Filmfair by Parasshuram

Sunny Deol’s latest Hindi movie Fox will be released on 4th sept. Fox is an action thriller movie

Fox is an edge-of-the-seat suspense thriller that moves at high speed between the bustling metropolis of Bombay and the beautiful beaches of Goa.

The story is about a cat and mouse run between a criminal lawyer (Arjun Rampal) and a stranger who is controlling and threatening his life. Now the lawyer must seek the help of a reluctant cop (Sunny Deol) in solving the mystery.

The story revolves around a young, successful criminal lawyer, Arjun Kapoor whose knowledge and aggressive interpretation of the law makes him a name to reckon with. He is reputed to have never lost a case and can get anyone acquitted, no matter what the crime. No wonder, then, criminals swear by his name. read full review...

4.BUZZ 18 by Anand Vaishanav

Deepak Tijori thankfully refrains from any sleaze in his new film Fox. The thriller is about a sharp but corrupt criminal lawyer Arjun (Rampal) who makes a career out of defending bad guys. A conscience attack makes him re prioritise his life and Arjun decides to take a break. During his vacation, he lands upon a dead lawyer’s manuscript. Arjun releases the copy in his own name and the manuscript turns into an overnight bestseller. Trouble begins when a cop (Sunny Deol) frames Arjun for murder, based on clues in the manuscript. Arjun of course has to prove his innocence against a manuscript that doesn’t even belong to him.

Fox picks up an interesting but deliberately confusing subject. Deepak Tijori weaves in too many characters and forced twists to keep the audience puzzled. Unfortunately his execution lacks bite. Most of the sequences flow in a lethargic manner. After a fast paced start, the movie slips into a long love triangle. Sunny’s impressive entry at the interval point increases expectations. But none of mystery elements add up to a truly gripping climax.

What makes Fox marginally engaging is Arjun Rampal and Sagarika Ghtage's chemistry. The two somehow manage to rise above the dull proceedings. Rampal is enjoying acting these days so even his wooden expressions actually work. Ghatge deserved a better dubbing artiste, but has a pleasing screen presence. All she needs is truly glamorous role in a lavish film. Udita Gowswami provides some of the oomph factor. However her role adds no meat to the subject. Deol tries hard to rise above a sketchy character and is saddled with mundane dialogues. read full review...

5. OneIndia by
Taran Adarsh, Bollywood Hungama

Making a suspense thriller is tough. To keep the audience attentive, besides keeping the viewer guessing till the end, requires complete understanding of the craft. Deepak Tijori had attempted a suspense thriller earlier [most storytellers have a penchant for this genre] and Fox, a complex theme, is more of a challenge for him. So, does Tijori get it right? Initially, yes. But Tijori loses it all towards the post-interval portions. The culmination is the thorn in the flesh.

Strangely, most film-makers in Bollywood just don't give a proper conclusion to suspense thrillers
. The wrap up is just not compelling, with most films running out of steam in the final leg. Fox falls in this category. Verdict? This fox lacks the bite!


Arjun [Arjun Rampal] is a successful criminal lawyer whose knowledge and aggressive interpretation of the law makes him a name to reckon with. He is reputed to have never lost a case and can get anyone acquitted, no matter what the crime. No wonder then, criminals swear by his name.

After years of saving criminals from punishment, one day, torn with guilt, he decides to quit his law practice and change for good. However, someone seems to be unwilling to let him go so easily. Now, Arjun is in a race to save himself and must use the help of his girlfriend [^] Urvashi [Sagarika Ghatge] and a police officer Yash [Sunny Deol] before it's too late. read full review...