BAABAR
cast:
Sohum Shah, Mithun Chakraborty, Om Puri, Tinnu Anand, Shakti Kapoor, Sushant Singh, Urvashi Sharma, Mukesh Tiwari, Govind Namdeo, Vivek Shauq, Vishwajeet Pradhan and Pratima Kazmi
Director: Ashuu Trikha
Rapidshare
1. Download all files from Rapidshare.com or Easy Share , check step by step details at http://www.coolindianguy.com/forums/How-to...rede-t4442.html
2. Save all files e.g., 001, 002, 003 etc in one folder then join files using HJSplit . Download HJSplit from http://www.freebyte.com/hjsplit/
3. You will see a file called Mrbi_N_Out_PDR_CoolIndianGuy.com.avi (size approx 700MB) in the same folder where you saved the file after joining, At last play that AVI file using VLC Player. VLC Player: http://www.videolan.org/vlc/
IF YOU DON'T WANT TO DO ALL THIS STEPS, JOIN VIP MEMBERSHIP JUST FOR JUST US$ 5/- ONLY AND ENJOY ONE CLICK DOWNLOAD OF THIS MOVIE. FOLLOW BELOW LINK TO JOIN NOW: http://www.coolindianguy.com/forums/index....&CODE=index
Reviews
1. ApunKaChoice By Nikhil Kumar
For those still not tired of films about gun-toting goons, tobacco-chewing gangsters, power-hungry politicians, humourless encounter specialists and, most importantly, corrupt cops, here’s another addition to the genre - Baabarr.
The film begins as the journey of a young boy into the crime-infested world of a small town in Uttar Pradesh but soon becomes a gore-fest as the dead bodies pile up faster than you can keep the count. Director Ashuu Trikha attempts to jolt a viewer repeatedly with the blood-curdling depiction of violence, but that’s not what necessarily makes a good crime thriller.
When a boy commits his first murder at the age of 12, you can very well imagine what he will grow up to be - an extortionist and a killer. Even before his teenage Baabarr’s life takes a definitive direction into the world of crime, where rival gangsters gun for each other, corrupt cops are hand in glove with criminals whom politicians use for their read full review...
2.Bolleywood Hungama By Taran Adarsh
Gangster movies - this genre has been done to death. Films like PARINDA [Vidhu Vinod Chopra] and SATYA [Ramgopal Varma] stand tall on this list. But, of late, the genre has taken a backseat since people aren't too keen on watching bloodshed and the same old saga of an innocent taking to the world of crime.
BAABARR belongs to the same genre, yet is an exception. It shows how people, even kids, live by the gun and die by the gun. It tells you that crime never ends, it only changes faces. It tells of the wicked nexus between cops-politicians-gangsters and the deterioration of the law and order machinery. Also, this one's not Mumbai-centric, but is set in Uttar Pradesh.
BAABARR isn't just bloodshed, but at the same time, isn't for the faint-hearted either. There's violence galore, in fact several sequences are brutal, and chances are a section of the movie-going audience [read families/ladies] might shy away from this experience. read full review...
3. Buzz18 By Abhishek Mande .
This week's release Baabarr starring Mithun Chakraborty, Om Puri, Urvashi Sharma, Sushant Singh and Sohum clearly draws its inspiration from the cult classic Satya. In fact there is even a scene where the lead character's wife is shown to be watching and crying over the death of Ram Gopal Varma's hero on screen.
Unlike in the case of Satya for whom even you might have shed a tear, the hero of this film - Baabarr evokes little or no sympathy.
Baabarr tells the story of its eponymous hero's rise in the world of crime and the eventual downfall. Bringing about this is an SP Dwivedi (played by Mithun Chakraborty) who will go to any extent except break the law to get the dreaded gangster down to his knees.
Dwivedi's task is an almost impossible one since Baabarr is close to some very powerful politicians and also has on his side a corrupt cop called Chaturwedi (Om Puri) who is much more than what meets the eye.read full review...
4.Times of India by Avijit Ghosh
In the badlands of Uttar Pradesh, death can also come for the flimsiest of reasons. Even a row over a gilli-danda game can spiral into a murder as it happens for Baabarr Qureshi. And the event can just be a great career move in extortion and contract killings. That's how the life of Baabarr and his band of brothers unfurls.
With exceptions like the vastly under-feted Sehar (2005), not many films have journeyed into the bowels of the murky crime world of Uttar Pradesh. But right from the paan-stained walls, the charpois, the milky tea, the abattoirs with those scary butcher's knives, the claustrophic bylanes, cheek-by-jowl rooftops with flying kites -- Amanganj is rich in details. We get the feeling of watching something raw and real.
But, more than that, director Trikha (Alag, Deewanapan) and writer Ikram Akhtar also provide a feel of the ethos, the motivations, the values and attitudes of places like Amanganj where criminals become demi-gods. A small boy serving tea imitates the superstar criminal Baabaar's mannerisms and says, "Hum unke liye jaan bhi de sakte hain." The dialogues (Akhtar and Vivek Mishra) flavoured with Urdu words are again spot-on. And using a young boy's voice-over as a sutradhar is a neat little idea that works fine.
If Baabarr - why is everybody into numerology? - fails to create a firm impression, it's because director Trikha gets only the mood right, not the scenes. The killings of the rich businessman, the small-time contractor are shoddily constructed, almost amateurish. On occasions, the movie becomes a series of repetitive violent scenes even though the chase sequences, especially where Baabarr chases his rival Tabrez (an impressive Sushant Singh), are neatly executed. And, one wonders, whether the final twists in the tale are only for shock value, or they flow out of the narrative. read full review...
cast:
Sohum Shah, Mithun Chakraborty, Om Puri, Tinnu Anand, Shakti Kapoor, Sushant Singh, Urvashi Sharma, Mukesh Tiwari, Govind Namdeo, Vivek Shauq, Vishwajeet Pradhan and Pratima Kazmi
Director: Ashuu Trikha
Producer: Mukesh Shah, Suniel S Saini
Director: Ashuu Trikha
Music Director: Anand Raj Anand
Singers: Anand Raj Anand, Rahul Sharma, Sukhwinder Singh, Sunidhi Chauhan, Raka Mukherji, Sunil Singh
Lyricist: Anand Raj Anand
Co Producer: Prakash Aggarwal, Saonjiv Kumar Pahwa, Navinn Parnaami
Director of Photography: Suhass Khandubhai Gujrathi
Dailogue: Vivek Mishra, Ikram Akhtar
Written By: Ikram Akhtar
Editor: Devendra Murdeshwar
Action Director: Abba Ali Moghul
Choreographer: Ganesh Acharya
Sound Recordist: Anup Mishra
Art Direction: Jayant Deshmukh
Background Score: Sunil singh
Mixing: Alok De ( Fiesta)
Pro: Parul Gosain
Laboratory: Prasad Laboratories Ltd
Di Line Producer: Jespal Nadar
Di Colorist: Jayadev Tiruveaipati
Di and Visual Effects: Pixion
Publicity Design: Epigram
OAP Visuals: Samaksh Communications
Costume Designer: Neeta Malhotra
Chief Assistant Director: Nisheeth Chandra
Links to download Free "BAABAR"
Rapidshare
How to Download & Play "BAABAR" ?
1. Download all files from Rapidshare.com or Easy Share , check step by step details at http://www.coolindianguy.com/forums/How-to...rede-t4442.html
2. Save all files e.g., 001, 002, 003 etc in one folder then join files using HJSplit . Download HJSplit from http://www.freebyte.com/hjsplit/
3. You will see a file called Mrbi_N_Out_PDR_CoolIndianGuy.com.avi (size approx 700MB) in the same folder where you saved the file after joining, At last play that AVI file using VLC Player. VLC Player: http://www.videolan.org/vlc/
IF YOU DON'T WANT TO DO ALL THIS STEPS, JOIN VIP MEMBERSHIP JUST FOR JUST US$ 5/- ONLY AND ENJOY ONE CLICK DOWNLOAD OF THIS MOVIE. FOLLOW BELOW LINK TO JOIN NOW: http://www.coolindianguy.com/forums/index....&CODE=index
Enjoy!
:)
Reviews
1. ApunKaChoice By Nikhil Kumar
For those still not tired of films about gun-toting goons, tobacco-chewing gangsters, power-hungry politicians, humourless encounter specialists and, most importantly, corrupt cops, here’s another addition to the genre - Baabarr.
The film begins as the journey of a young boy into the crime-infested world of a small town in Uttar Pradesh but soon becomes a gore-fest as the dead bodies pile up faster than you can keep the count. Director Ashuu Trikha attempts to jolt a viewer repeatedly with the blood-curdling depiction of violence, but that’s not what necessarily makes a good crime thriller.
When a boy commits his first murder at the age of 12, you can very well imagine what he will grow up to be - an extortionist and a killer. Even before his teenage Baabarr’s life takes a definitive direction into the world of crime, where rival gangsters gun for each other, corrupt cops are hand in glove with criminals whom politicians use for their read full review...
2.Bolleywood Hungama By Taran Adarsh
Gangster movies - this genre has been done to death. Films like PARINDA [Vidhu Vinod Chopra] and SATYA [Ramgopal Varma] stand tall on this list. But, of late, the genre has taken a backseat since people aren't too keen on watching bloodshed and the same old saga of an innocent taking to the world of crime.
BAABARR belongs to the same genre, yet is an exception. It shows how people, even kids, live by the gun and die by the gun. It tells you that crime never ends, it only changes faces. It tells of the wicked nexus between cops-politicians-gangsters and the deterioration of the law and order machinery. Also, this one's not Mumbai-centric, but is set in Uttar Pradesh.
BAABARR isn't just bloodshed, but at the same time, isn't for the faint-hearted either. There's violence galore, in fact several sequences are brutal, and chances are a section of the movie-going audience [read families/ladies] might shy away from this experience. read full review...
3. Buzz18 By Abhishek Mande .
This week's release Baabarr starring Mithun Chakraborty, Om Puri, Urvashi Sharma, Sushant Singh and Sohum clearly draws its inspiration from the cult classic Satya. In fact there is even a scene where the lead character's wife is shown to be watching and crying over the death of Ram Gopal Varma's hero on screen.
Unlike in the case of Satya for whom even you might have shed a tear, the hero of this film - Baabarr evokes little or no sympathy.
Baabarr tells the story of its eponymous hero's rise in the world of crime and the eventual downfall. Bringing about this is an SP Dwivedi (played by Mithun Chakraborty) who will go to any extent except break the law to get the dreaded gangster down to his knees.
Dwivedi's task is an almost impossible one since Baabarr is close to some very powerful politicians and also has on his side a corrupt cop called Chaturwedi (Om Puri) who is much more than what meets the eye.read full review...
4.Times of India by Avijit Ghosh
In the badlands of Uttar Pradesh, death can also come for the flimsiest of reasons. Even a row over a gilli-danda game can spiral into a murder as it happens for Baabarr Qureshi. And the event can just be a great career move in extortion and contract killings. That's how the life of Baabarr and his band of brothers unfurls.
With exceptions like the vastly under-feted Sehar (2005), not many films have journeyed into the bowels of the murky crime world of Uttar Pradesh. But right from the paan-stained walls, the charpois, the milky tea, the abattoirs with those scary butcher's knives, the claustrophic bylanes, cheek-by-jowl rooftops with flying kites -- Amanganj is rich in details. We get the feeling of watching something raw and real.
But, more than that, director Trikha (Alag, Deewanapan) and writer Ikram Akhtar also provide a feel of the ethos, the motivations, the values and attitudes of places like Amanganj where criminals become demi-gods. A small boy serving tea imitates the superstar criminal Baabaar's mannerisms and says, "Hum unke liye jaan bhi de sakte hain." The dialogues (Akhtar and Vivek Mishra) flavoured with Urdu words are again spot-on. And using a young boy's voice-over as a sutradhar is a neat little idea that works fine.
If Baabarr - why is everybody into numerology? - fails to create a firm impression, it's because director Trikha gets only the mood right, not the scenes. The killings of the rich businessman, the small-time contractor are shoddily constructed, almost amateurish. On occasions, the movie becomes a series of repetitive violent scenes even though the chase sequences, especially where Baabarr chases his rival Tabrez (an impressive Sushant Singh), are neatly executed. And, one wonders, whether the final twists in the tale are only for shock value, or they flow out of the narrative. read full review...
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